A few weeks ago I advertised an opportunity for emerging(ish) theatremakers, and the experience was so positive I'm now advertising four more.
For those who missed it the first time round, I am undergoing some very broad-based and open-ended R&D on a range of different projects, from an overlapping set of starting points. Earlier in the process I wrote this about the project as a whole and it remains not entirely inaccurate.
I have some funding to support an emerging(ish) theatre maker to join me in the room for each of the eight weeks. Let this opportunity be known as Person in the Room. Here's a bit of writing by Emma Geraghty, who was Persons in the Room #1-2, and here's a bit by Kamaal Hussain, who was Person in the Room #3. Another piece by Umar Butt, who was in the room last week, will follow in a few days.
Now I'm looking for people to join me at:
Theatre in the Mill, Bradford, 30 Oct-2 Nov
Theatre in the Mill, Bradford, 6-9 Nov
ARC, Stockton, 27-30 Nov
Northern Stage, Newcastle, 4-7 Dec
Given the way these weeks have tended to roll, it makes sense if the Person in the Room is someone with a writing practice, or at least with writing as part of their practice. At least part of the time is going to be writing time. In most of these weeks there'll be at least one day with performers in the room getting work on its feet and on these occasions there'll be a chance to focus in on your work as well as mine. In all four weeks there'll be a range of different people through the room, my collaborators on a range of projects.
A couple of location-specific things: at least one day in Stockton will be focused on a project for young audiences: you don't have to have a special interest in this area, but let me know if you do. And one part-day of each Bradford week will involve an extended research trip away from the theatre on foot, aka a long run to the hills. You don't have to have a special interest in running 15-20 miles in which case you're very welcome to meet me and Boff at the end point. But again, let me know if this floats your boat.
The Person in the Room is required to prepare nothing, and to bring nothing into the room beyond their brain and their heart, and to do little more than to respond to what they see and hear, using the aforementioned equipment. Additionally, they'll document the week in some form - that could be a blog post but it could equally be a short video or a cartoon, or an imaginary animal. As you'll have seen above, it's mostly been blog posts so far, but I'm still holding out for that imaginary animal.
There's £500 to pay for your time, plus travel expenses. Accommodation can be provided if necessary, but do note that I'm committed to working predominantly with people who have some pre-existing relationship with the venue or the town/city in which we're working.
To apply, email me on danielbye AT ymail DOT com (not gmail). In the subject line, let me know which of the four weeks you're applying for (you can express an interest in more than one). In the body of the email, tell me who you are and what you'd like to get out of the week. Tell me a bit about what project of your own you'll be working on during the week, when opportunity arises, and maybe a bit about how I can help. Tell me where you're based and what your relationship is with the town/city in which we're working.
I encourage applications from people who don't look like me. Please let me know if you have any additional access requirements. I will meet them.
The deadline is one week from the time I post this advert, so that's 15.24 on Monday 1st October.
I'll get back to people as quickly as I can. My decision will be made on the basis of who I think I can help, as well as who can help me.
Pessimism of the Intellect, Optimism of the Will